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ART DIRECTOR SAUL BASS.
  Term Paper ID:30147
Essay Subject:
Discusses the life and career of graphic artist Bass.... More...
3 Pages / 675 Words
4 sources, 13 Citations, APA Format
$12.00

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Paper Abstract:
Discusses the life and career of graphic artist Bass. His graphic designs. His film work including GOODFELLAS, CAPE FEAR, CARMEN JONES, WALK ON THE WILD SIDE, THE MAN WITH THE GOLDEN ARM and other noteworthy movies. His many achievements & awards. His own productions of short films. Work on Corporate design programs. Sample of Bass' film & business designs.

Paper Introduction:
Born in New York in 1920, after the end of World War I, Saul Bass grew up during a time in history when the world was going through massive changes. Women had just been granted the right to vote and Margaret Sanger was getting ready to launch the National Birth Control League (United States History, 1999). With the economic boom of the 1920s tumbling into the Great Depression of the 1930s, Bass was still fortunate enough to be able to study art under Howard Trafton at the Art Students League from 1936 to 1939. After World War II he continued his studies under Gyorgy Kepes at Brooklyn College, New York from 1944 – 1945 (Contemporary Designers, 1997). In 1946, Bass moved to Los Angeles and started his company Saul Bass and Associates. Although he did mostly graphic design at the time, by 1954, about the time of the Civil Rights

Text of the Paper:
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James Press. I'm a working man. When Bass passed away in 1996, designer Lou Dorfsman said, Saul Bass practiced his craft for more than 5 years, yet his work was always consistently new and provocative. (2 1). . This was atechnique he would use in many films, his most recent one being The Age ofInnocence (1993) (Maltin, 1994). Farmington Hills, Mich.: The Gale Group. W. That was very startling, and that's what made the work I did then look so wild (quoted in Communication Arts, 2 1).Besides working with Otto Preminger on many films, he also worked AlfredHitchcock on Vertigo (1958), North by Northwest (1959) and Psycho (196 )(he conceived the frame shots for the shower scene) (Maltin, 1994). New York:Signet, a division of Penguin, Putnam, Inc. Koeller, D. Bassalso worked with Martin Scorsese, who once said of him, "Bass fashionedtitle sequences into an art, creating in some cases, like Vertigo, a mini-film within a film" (quoted in Communication Arts, 2 1). Perhaps I'm luckier than most in that I receiveconsiderable satisfaction from doing useful work which I, and sometimesothers, think is good" (quoted in Communication Arts, 2 1). (1997). Premingerliked his work so much that he asked Saul to work with him on the film TheMan With The Golden Arm (1955) (Maltin, 1994). Although he did mostly graphic design at the time, by1954, about the time of the Civil Rights Movement, he had signed on to workon his first film, Carmen Jones (1954) with Otto Preminger. Below are some of the many film and business designs conceived by SaulBass (Communication Arts, 2 1; Tribute to Saul Bass, 2 1). With the economic boom of the 192 s tumbling intothe Great Depression of the 193 s, Bass was still fortunate enough to beable to study art under Howard Trafton at the Art Students League from 1936to 1939. Communication Arts. At thistime he worked on many corporate design programs, contributing logos for:AT&T, United Airlines, North American Rockwell, Rockwell International,Alcoa, Warner Communications, Dixie Paper Products, Lawry's Foods,Exxon/Esso, Minolta, and others (Communication Arts, 2 1; ContemporaryDesigners, 1993). Contemporary Designers, 3rd ed. (2 1). (1999). Born in New York in 192 , after the end of World War I, Saul Bassgrew up during a time in history when the world was going through massivechanges. .That's what distinguished my initial work in films. Leonard Maltin's Movie Encyclopedia. Available online at: (http://1 .128.2.1/servlet/BioRC) Maltin, L. Design Pioneers: Saul BassAvailable online at : http://www.commarts.com/CA/feapion_d/bass/,Coyne and Blanchard, Inc. St. Reproduced inBiography Resource Center. "There is nothing glamorous in what I do, .. In the 198 s, Saul and Elaine Bass began accepting movie work againand started with Broadcast News (1987) before moving onto Martin Scorses'Goodfellas (199 ) and Cape Fear (1991). His feature film Phase IV(1974) was not a success and his final film design at this time was forThat's Entertainment, Part 2 (1976) (Maltin, 1994). Although Bass' work received many awards such as the New York ArtDirectors Hall of Fame in 1977 and the AIGA Medal in 1981, but his view ofhimself remained quite modest. I was bringing to bear the visual standards that I had developed in the graphic field. Bass is quoted as saying: Motion picture photography was always about ten years behind. . Deciding to take a hiatus from the film industry, Bass decided toreturn to graphic design and in 1978, he founded his next company, SaulBass/Herb Yager and Associates (Contemporary Designers, 1993). In1961, Saul Bass married Elaine Makatura, who was to collaborate with him onone feature film and many of his short films later on. After World War II he continued his studies under Gyorgy Kepes atBrooklyn College, New York from 1944 - 1945 (Contemporary Designers, 1997). In 1946, Bass moved to Los Angeles and started his company Saul Bassand Associates. In the 196 s, when people all over the United States were debatingcivil liberties, war, and equal rights, Bass decided to try to do somefilms on his own, rather than designing for someone else (Maltin 1994). As stated earlier, their mostrecent film being The Age of Innocence (1993) (Maltin, 1994). The United States History: Chronology.Available online at:http://campus.northpark.edu/history/WebChron/USA/USA.html (1994). One of his shortfilms, Why Man Creates (1968) was commissioned by Kaiser Aluminum andChemical Corporation, and received an Academy Award. (ContemporaryDesigners, 1993; Communication Arts, 2 1). Women had just been granted the right to vote and Margaret Sangerwas getting ready to launch the National Birth Control League (UnitedStates History, 1999). His work remains relevant because it continues to touch people and because his ideas and imagery appeal as much to the emotions as they do to the intellect (Communication Arts, 2 1).

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