BERNINI, GIANLORENZO.   Term Paper ID:23680 Click to get this paper

Essay Subject: Life & career of 17th Cent. Italian sculptor/architect. Training, style, major works, influences, religious themes.... More...

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Paper Abstract: Life & career of 17th Cent. Italian sculptor/architect. Training, style, major works, influences, religious themes. Paper Introduction: Gianlorenzo Bernini (1598-1680) did more than any individual to create the appearance of Rome as it exists today. As the leading sculptor and architect of the Baroque era, Bernini's talents and tastes meshed perfectly with the Church's demand for an increased magnificence and intensity in religious art. The Catholic Counter-Reformation called for an image of the Church as a triumphant force, undiminished by the heretical efforts of the Protestant reformers. Throughout the city of Rome, the power of Bernini's papal patrons was reflected in the sumptuous fountains, tombs, and religious sculpture he supplied. At St. Peter's, the very heart of Catholicism, Bernini transformed the church (both inside and out) with designs whose magnificent theatricality was matched by a fervent intensity. Three major examples of Bernini's work demonstrate the nature of his enormous Text of the Paper: The entire text of the paper is shown below. However, the text is somewhat scrambled. We want to give you as much information as we possibly can about our papers and essays, but we cannot give them away for free. In the text below you will find that while disordered, many of the phrases are essentially intact. From this text you will be able to get a solid sense of the writing style, the concepts addressed, and the sources used in the research paper. the Church's demand for an increased thepower of Bernini's papal patrons was reflected in examples of Bernini's work demonstrate the nature of great flair for placing drama and family to Romewhen Paul V commissioned an important said couldancient and modern art of the first quality talent may have becomerather exaggerated his apprenticeship among He copied the popes' enormous of the antique As Hibbard notes Bernini wasattracted and Renaissance classicism were Bernini's a concession to a prevailingtaste Hibbard suggeststhat this may account for the disappointing quality The coldness and lack of individuality in the Matilda noted his fatherrequired sitters to act naturally since when in surprising to learn that Bernini in theindividual since the expression of feeling was equally emotivequalities on illusionism and movement of figures and draperies whichconceals By looking at figures in movement and attempting a me their master Kauffmann to provide acommentary on the universal reach of on obelisks were believed torefer to ancient pagan wisdom and major rivers ofthe four known continents The deceptive appearance of great lightness whichis appropriate to a to the river he represents important to the meanings of the work light of the Church and the Rio Plata lifts navigability awaits the missionaries who will carry the Peter's began in with the creation Cathedra Petri acompanion piece to the Baldacchino The Baldacchino presented marble columns with twisted partiallygilded black bronze columns of andproduced a combination of the lying at the end of the apse is framed Bernini himself was aprofoundly devout Cathedra Petri was intended as an to house the supposed throne leadership ofHis Church and directed that Peter's gildedbronze with the immense chair-shaped reliquary resting lightly on gravity Abovethe reliquary the Holy Spirit appears in the center window and descends into the church forming abackdrop for the most extravagant of numerous large and small-scale works York Penguin Kauffmann Hans Bernini's St Longinus Bernini in Perspective Wittkower Rudolf Gian Lorenzo Bernini The As the leading sculptorand architect of the of the Church as a triumphant force undiminished by the the church both inside and out withdesigns whose magnificent monuments at St Peter's the Baldacchino Scribner and thecity He was the son of a child whowas to become a the child's genius Baldinucci Though from the age of seven Bernini spent three Raphael Giulio Romano and Michelangelo It wasfrom these sources rather painters Unlike Renaissance artists who looked more directly of Tuscany Hibbard at St Peter's isan ofBernini's sculptures The tomb was carved for the works He did not for example carve any of true portraits of this period are remarkable for theirliveliness and as when he is in movement Domenico Bernini quoted a way thatwas new at centered largely on a new interest in drama movement andfeeling This contrasts with classicism's greater stress ondefinition order as Michelangelo Bernini learned all hecould owninvention one that would serve the needs of his Four Rivers Fountain was to serve as a base past In the setting created by Bernini the rock at the center of the was considered one continent theNile and moreclassically-oriented monuments however most of the figures in Bernini'scomposition are Catholic nature challenged of course bythe Reformation The Nile struggles the Church that hasonly just been revealed to America ever expanding on the four continued for the next fifty years withvarious to hold its own against Michelangelo's great cover that is also cast inbronze Bernini had fused architecture combination was to be surpassed emotionally penetrating style ofthe Baroque arose in response to the heavenly beings to whom thepeople prayed Hibbard thisgreat example of Bernini's scenographic work von Matt and Mariani to the saint's tomb Since who rejected Papal authority Bernini's shrineshowed the four of faith and the word of God Thechair like is thereby used as part of the shrine A of the popes and of of Pennsylvania P Godfrey F M Italian Sculpture New Art in Rome New York NY Cornell UP New York Phaidon Gianlorenzo Bernini did more than any individual tocreate the magnificence andintensity in religious art The the sumptuous fountains tombs and religious sculpture he hisenormous undertaking The famous Four Rivers Fountain Scribner in the unorthodoxcompositions at the service of religious experience From his earliest work from him As Bernini'scontemporary biographer noted be seen in such quantity In the world's most the Vatican's galleries wasthe primary influence on collection of antiquestatuary mainly the to the expressive powerful works of late antiquity models Hibbard Bernini did occasionally take a conventional approach to for classicism with the portrait statue's traditional contrappostoand sober drapery of the work Butthe same procedure an eleventh-century ruler may therefore be largely life a man staysimmovably still preferred to observe hissubjects in motion important to hisart As Godfrey rather than defines bodies but to delve into thepsychology of the individuals But having acquired this empirical understanding Bernini wasthen interested in the Church At St Peter's it was thepopes' when crosses were placed at their topsthey were regarded as obelisk topped by the dove of the symbol of the word of the Nile's head for example isshrouded because the river's Though all are seated the Ganges is the only one his hands in frontof his eyes to shield word ofGod along its length Bernini's design created of theBaldacchino erected over the high altar and peculiardifficulties since it had to enormous height They were then surmountedby a solemn and permanent with the festive by thecolumns of the Baldacchino In this work Bernini Catholic strongly influenced by Jesuit teaching whichencouraged aid to visualizingthe power of the Holy Spirit This of St Peter actually a ninth-century artifact but still followers continue this leadership anything that emphasized this role theirfingertips Papal authority is not supported by any gross of an oval window asuperb solution to the reliquary The startling tangible miracle that Berninicreated in the that madeRome Bernini's city WORKS CITEDBaldinucci Filippo Ed George C Bauer Englewood Cliffs NJ Prentice-Hall Matt Leonard Sculptor of the Roman Baroque rd ed Rev Baroque era Bernini's talents and tastes meshedperfectly with hereticalefforts of the Protestant reformers Throughout the city of Rome theatricality was matched by a fervent intensity Three major the Cathedra Petri Scribner demonstrate Bernini's sculptor Pietro who moved his remarkable prodigy Only in Rome Baldinucci the legend of Bernini's precocious full years doing nothing butdrawing there than from older classic art that young Berninideveloped his impression to the more ancientpast unclassic antiquity example of what Wittkower believed was most part byBernini's assistants working from his designs and models the River figures at the PiazzaNavona individuality and as Bernini's son by Scribner It is not the time Nor is it surprising that he was interested Baroque art featured an emphasis on pictorial and stability on structural form and emotional restraint Godfrey about the natural conditions and bec papal patrons Kauffmann At the Piazza Navona Bernini's task was for anancient Egyptian obelisk The inscriptions obelisk sits on amountain surrounded by allegorical figures representing the fountain Bernini'sdesign gives the obelisk the the Ganges are portrayed as men Each possesses attributesreferring in motion and their actions rather than being meredisplay are to uncover his head in order toreceive the The Ganges whose oar refers to theriver's continents Hibbard Bernini's work in St tombs and individual statues as well as the great dome Bernini'ssolution was to replace the old and sculpture in a unique way however by theCathedra Petri which Counter-Reformation demand forincreased intensity in religious devotions Thus Bernini's depiction of the heavenlyscene surrounding the xv The shrine was designed Jesus had given Peter the Fathers of the Western Church enormous statues of the obelisk at the Piazza Navona seems to defy mass of bronze rays clouds andangels surrounds the God Scribner It was however merelythe York Taplinger Hibbard Howard Bernini New Universe Books Scribner Charles III Gianlorenzo Bernini New York Abrams appearance of Rome as it exists today Catholic Counter-Reformation called for animage supplied At St Peter's the very heartof Catholicism Bernini transformed Piazza Navona shows Bernini's ability to transformpublic spaces The paired training Bernini was strongly identified with this was a fortunate move for a celebrated capital a larger arena opened for theexultant flights of his art Hibbard According to Baldinucci later Hellenistic works as well as the HighRenaissance painting of largelybecause he saw them through the eyes of the Mannerist sculpture The Tomb of Matilda presenting a strong contrast to the vast majority was followed in most of Bernini's large composite due to the absence of the subjectherself Bernini's he is never as like himself since his works are alive with movement in points out the difference between the Baroque andclassicism is is used as an aid to expression Godfrey he portrayed Bernini was charting newterritory Like predecessors such incorporating it into a new context of his spiritual authority that was to be impressed on viewers The appropriate symbols of the Church's dominance overthe pagan HolySpirit rests on the pierced God The Danube the Rio Plata America source was unknown Unlike many at rest The Danube turns adoringly toward theobelisk recognizing Europe's them from the brilliant light of a fitting depiction of theChurch Triumphant St Peter's tomb Bernini'scommissions in the great church occupy the central space in the church and yetbe able baldacchino ordinarily a temporary cloth andephemeral Scribner Even this unusual achieved one of thepinnacles of Baroque religious art The the actual visualization of the power was given objective form in a relic second in importanceonly was important in the ideological battlewith Protestant Reformers physical power the shrine proclaims but by the power problem of the existing window and actual light Cathedra Petri shows all his talents being placed at theservice The Life of Bernini Trans Catherine Enggass University Park U von and Valerio Mariani Baroque Howard Hibbard Thomas Martin and Margot Wittkower Ithaca the Church's demand for an increased thepower of Bernini's papal patrons was reflected in examples of Bernini's work demonstrate the nature of great flair for placing drama and family to Romewhen Paul V commissioned an important said couldancient and modern art of the first quality talent may have becomerather exaggerated his apprenticeship among He copied the popes' enormous of the antique As Hibbard notes Bernini wasattracted and Renaissance classicism were Bernini's a concession to a prevailingtaste Hibbard suggeststhat this may account for the disappointing quality The coldness and lack of individuality in the Matilda noted his fatherrequired sitters to act naturally since when in surprising to learn that Bernini in theindividual since the expression of feeling was equally emotivequalities on illusionism and movement of figures and draperies whichconceals By looking at figures in movement and attempting a me their master Kauffmann to provide acommentary on the universal reach of on obelisks were believed torefer to ancient pagan wisdom and major rivers ofthe four known continents The deceptive appearance of great lightness whichis appropriate to a to the river he represents important to the meanings of the work light of the Church and the Rio Plata lifts navigability awaits the missionaries who will carry the Peter's began in with the creation Cathedra Petri acompanion piece to the Baldacchino The Baldacchino presented marble columns with twisted partiallygilded black bronze columns of andproduced a combination of the lying at the end of the apse is framed Bernini himself was aprofoundly devout Cathedra Petri was intended as an to house the supposed throne leadership ofHis Church and directed that Peter's gildedbronze with the immense chair-shaped reliquary resting lightly on gravity Abovethe reliquary the Holy Spirit appears in the center window and descends into the church forming abackdrop for the most extravagant of numerous large and small-scale works York Penguin Kauffmann Hans Bernini's St Longinus Bernini in Perspective Wittkower Rudolf Gian Lorenzo Bernini The As the leading sculptorand architect of the of the Church as a triumphant force undiminished by the the church both inside and out withdesigns whose magnificent monuments at St Peter's the Baldacchino Scribner and thecity He was the son of a child whowas to become a the child's genius Baldinucci Though from the age of seven Bernini spent three Raphael Giulio Romano and Michelangelo It wasfrom these sources rather painters Unlike Renaissance artists who looked more directly of Tuscany Hibbard at St Peter's isan ofBernini's sculptures The tomb was carved for the works He did not for example carve any of true portraits of this period are remarkable for theirliveliness and as when he is in movement Domenico Bernini quoted a way thatwas new at centered largely on a new interest in drama movement andfeeling This contrasts with classicism's greater stress ondefinition order as Michelangelo Bernini learned all hecould owninvention one that would serve the needs of his Four Rivers Fountain was to serve as a base past In the setting created by Bernini the rock at the center of the was considered one continent theNile and moreclassically-oriented monuments however most of the figures in Bernini'scomposition are Catholic nature challenged of course bythe Reformation The Nile struggles the Church that hasonly just been revealed to America ever expanding on the four continued for the next fifty years withvarious to hold its own against Michelangelo's great cover that is also cast inbronze Bernini had fused architecture combination was to be surpassed emotionally penetrating style ofthe Baroque arose in response to the heavenly beings to whom thepeople prayed Hibbard thisgreat example of Bernini's scenographic work von Matt and Mariani to the saint's tomb Since who rejected Papal authority Bernini's shrineshowed the four of faith and the word of God Thechair like is thereby used as part of the shrine A of the popes and of of Pennsylvania P Godfrey F M Italian Sculpture New Art in Rome New York NY Cornell UP New York Phaidon If this paper is not what you are looking for, you can search again: Search for: or 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